Our Baton User - A trusted choice selected by professionals around the world

My first encounter was as a child: in my local music school orchestra, my teacher used a PICKBOY baton. Later, as a student, I purchased my first one at Yamaha Ginza. I was deeply impressed by the lightness and maneuverability of the carbon series.

The balance is outstanding: stable without effort and very expressive. Its lightness puts no strain on the wrist. I used the FTK150 from 2019 to 2025 but have since returned to the NCS 34cm, adapting to its different grip shape.

With the wooden FTK, I always feared it might break during concerts and carried two (it actually broke once). Since switching to the NCS, I have no such worries and can conduct with peace of mind.

At the Shenandoah Conservatory (USA) I encountered PICKBOY batons. Since then, they have been my unwavering choice in professional settings.

I currently use the FT-150A model (fiberglass shaft / natural cork grip, 380mm). Its remarkable lightness and flexibility allow for both precision and expression, combining clarity of small gestures with the freedom of flowing lines.

When conducting Stravinsky’s L’Histoire du Soldat, this balance was crucial, and the FT-150A supported it perfectly. Also, in the “Let’s Play” video game music concerts with the Munich Radio Orchestra, it helped achieve cinematic expression, rhythmic precision, and emotional depth.

Pickboy batons are true craftsmanship: refined, balanced, and extremely responsive. They have become indispensable to every ensemble I conduct.

In rehearsal or on stage, they provide the precision and flexibility needed to shape musical expression clearly and delicately. Pickboy batons feel like an extension of my artistry.

In education, Pickboy batons are also a reliable tool, helping students engage deeply with music and learn ensemble unity and discipline.

At 18, during my first trip to Japan with an orchestra, I first held a PICKBOY baton.

Choosing the ideal baton is vital for conductors. PICKBOY batons are of the highest quality, perfectly balanced, and fit naturally in the hand. During concerts, it feels like part of me.

I use two carbon graphite models: “NC-H” and “NCS-H”.

At an airport customs check, an officer didn’t know what was in my suitcase and asked me to demonstrate. So I conducted on the spot!

In the summer, at the National Orchestral Institute Conducting Academy in Maryland led by Mei-Ann Chen, I first used a PICKBOY baton. Since then, it has become indispensable.

I use the FT-150B (340mm fiberglass with cork grip). It offers consistency, clarity, and comfort. Its weight and feel are perfect in my hand.

In my first year as music director in Barrington, and in concerts with the URI Symphony Orchestra, as well as competitions in the US and Italy, I will use PICKBOY. It will also accompany me in upcoming guest conducting engagements.

For years I have used models like FT-150F and FT-150J. They are light and adaptable. Depending on the music, I select the grip, and feel better communication with the orchestra.

On my recent trip to Japan, I tried NC-J and FT-150K (both 320mm) and found them very comfortable. I look forward to using them in rehearsals and concerts.

At Nakano in Setagaya I met Mr. Saito, who was very kind. I saw a signed photo of Gustavo Dudamel and was happy to try a similar custom baton there.

When I decided in middle school to become a conductor, my father bought me a PICKBOY baton in a small music shop. Though a bit long for me, it is a precious memory and has stayed with me ever since.

I favor the carbon graphite series. They minimize fluctuation and afterimages, transmitting delicate nuances.

For symphonies, I use NC-D 350mm and NCS-B 360mm depending on ensemble size. For opera and operetta, I use a custom-made NCS-F 350mm with round cork grip, which allows soft movements and supports singers.

In an international competition, I used the FT-150D 380mm gifted by my father. Since the podium was accidentally removed, I looked smaller, but the longer baton made the orchestra feel comfortable and they played with smiles.

As a child, I received several PICKBOY batons from the music director of the orchestra in my hometown Guanajuato, Mexico. Since then, I have loved their design and handling.

For opera and large symphonies, I use NC-H and NCS-B (carbon fiber). For smaller ensembles, the NCS-K (360mm).

Balance, comfortable grips, various lengths, and lightweight design are the greatest advantages.

I made my European debut in 2014 with a PICKBOY baton. I tested various models and always travel with several options to choose the most suitable one on site.